The opening of my section two of the manuscript:Never any further than a door. A window with meticulously wiped interior, exterior collecting dust, insects, fingerprints, water-stains, high velocity eggs. A bed collecting memories, obscure internal dialogs, and crisp photographs of distant quasars.
The door, unlocked, may be used to enter, but quitting the room is another matter. Permissions must be granted. Approval is difficult to come by. Water still runs from the tap and periodically refills the toilet. Newspapers gather at the foot of the recliner. The stories on their pages were set in type and plated many ages ago, perhaps even at the beginning of all things. Joylessness may be imagined, but in truth holds no meaning--stillness also may be indicative of freedom from desire or trepidation, of deliberation, or (why presume the lofty) that someone has been smuggling horse tranquilizers to your beloved mentor.
Through the mess of a window you have seen him frying up a tube of sausages. He spends days in front of the television, nearly motionless. Has he been using his magical powers to pay the utilities? His prophetic visions to determine the solutions to tomorrow's daily jumble?
It would be good, you surmise, to free him from this drudgery, but--it will occur to you--into what?